October 12, 2017
I first started with the drawing of Sekhmet. I used museum photos of two different statues of Sekhmet at the Met museum. One had the right angle I wanted, but it lacked a crown and uraeus, so I consulted a different statue's photo to get those. Once I got Sekhmet drawn, I started on the drawing of Hethert. I used photos of her statue at the Turin museum for guidance. That statue of Hethert has a damaged uraeus, so I was able to flip the uraeus from the first drawing and adapt it to this drawing.
The idea is that the two Deities are "two sides of the same coin", gentle Hethert can become fierce Sekhmet, fierce Sekhmet can become appeased and soften into gentle Hethert. The designs are such that the eyes of each Deity are exactly placed to be in the same spot on either side.
I found it fascinating to compare the medal design and its realization. I think the mint used a digital three-dimensional creation program, unlike the more traditional method of creating a very large clay model. (Heidi Wastweet shares the traditional method via this link.)
It's interesting to see what lines their artist kept, unaltered, except for the shaping.
The Sekhmet side got more refining:
Moving on to a different project of mine, the thrones are in town and awaiting pick up. I'm hearing rumblings from Set that He'd like me to attempt putting some "flesh" on that armature I made several months ago. Scary stuff! Set likes me to try scary stuff, :)
And, a mystery. Third throne was to be for Djehuty. But I keep feeling an Amun-Ra vibe around it? Hmmmmmm?